Drawing on a wealth of unseen archival material, including sound recordings, film rushes, offcuts and unpublished notebooks, Luke Fowler’s new feature film focuses on Margaret Tait, one of Scotland’s most enigmatic filmmakers. The film takes one of Tait’s unrealised scripts for Channel 4, entitled Heartlandscape: Visions of Ephemerality and Permanence, as its starting point and considers Tait's life and work grounded within the landscape of Orkney. Tait was not interested in filming the scenery but instead looked at the precise details that constitute a place, the small things that are often overlooked. Exploring the process of filmmaking itself from the perspective of a fellow artist sensitive to Tait’s understanding of film as a poetic medium, Being in a Place pays tribute to the strengths in her method, the importance of fragmented bodies of work, and the intrinsic value in failure. (Luke Fowler, UK, 60 min.)
presented with several short films by Margaret Tait